Do you remember the Point Horror Book Series from the 90’s? The Point Horror Series was a series of young adult point horror books and was launched in 1991 by Scholastic always with the Point Horror banner on the spine and on the top of every point horror book. There were a number of authors that wrote these books for Scholastic: R L Stine, Diane Hoh, Caroline B Cooney, Sinclair Smith to name but a few.
They were basically what I was reading and enjoying as a young adult and thanks to the author Juno Dawson, who started #PointHorrorBookClub on her website in 2013, I have started to re-read these books that I used to rush to the shops every weekend and buy and sit for the whole weekend reading.
Juno announced in January 2015 that she was no longer able to carry on #pointhorrorbookclub and with her blessing I am going to try and carry it on with version 2! Juno has done a fantastic job – I hope I can keep up her good work *gulps*
For links to #pointhorrorbookclub posts old and new please click here
It’s Halloween! And what better way to celebrate than delving deep into my love of Point Horror!
I know lots of people who hold Point Horror close to their hearts and one of those people is wonderful author Michelle Harrison ! I got talking to Michelle on twitter when she was talking about Point Horror so I asked her to stop by for a little Point Horror Guest Post to share some Point Horror memories and she kindly agreed.
It’s very exciting to have Michelle here on Tales…I feel very honoured…so thank you so much Michelle!
*Hands microphone to Michelle*
Growing Up With Point Horror
I vividly remember my first ‘Point Horror’ book. It was Funhouse, by Diane Hoh, and I was around thirteen years old. My friend had loaned it from the library and told me to read it. From the first page, I was sucked in. Gone, hooked. A ‘Point Horror’ addict.
A voracious reader, I’d grown up reading my grown up sisters’ hand-me-down books, and listening to stories from their own imaginations. While I read for pleasure constantly, my choice was limited as we didn’t have much money for new books. Therefore, the majority of what I read growing up was by Enid Blyton, with a bit of variation from whatever I was reading at school. As I approached my teens I’d begun to start leaving these books behind in favour of magazines such as Just Seventeen. I was also the slightly kooky one in my group who, at sleepovers, would push to rent films from the horror section, while my friends preferred romantic comedies.
Funhouse was a revelation to me. A fast-paced, heart-thumping whodunnit in which Tess and her friends are being terrorised by someone hellbent on revenge for a past wrong which is gradually revealed in a diary at intervals throughout the book. The ending (and the villain) came as a complete shock to me. I LOVED it. Before then, I never knew horror for teens existed. I’d read and enjoyed Carrie, but found myself unable to get into Stephen King’s lengthier works. Funhouse was short, snappy, and about teens not much older than myself. Better still, I then discovered there were more! So began a new routine: every Saturday I’d get my pocket money, head to Dillons book shop in Lakeside, and buy two or three new ‘Point Horror’ titles which would then be devoured through the week. I amassed dozens – close to a hundred, I believe – titles, keeping them all pristine much to my sisters’ amusement. After a sad fate suffered by Dream Date, I only lent them to trusted people whom I knew wouldn’t crease the covers or crack the spines!
For me, the ‘Point Horror’ books had it all: from poison pen letters, to being followed home, butchered pets, creepy phone calls and of course, a generous helping of murder. There were even a few nasty little rhymes: Teacher’s pet, teacher’s pet . . . you’re going to die, but not just yet. What the strongest ones had were great twists, unexpected villains and even greater motives. There were faked deaths, crazy adopted brothers, unhinged love interests, and of course, the unreliable narrator . . .
While Funhouse is always the one that sticks in my mind like a first love, there were several firm favourites: The Hitchhiker, with its iconic cover, dreamy bad boy, James, and a killer twist; Trick or Treat ‒ because houses with murderous pasts and secret crawl spaces are ALWAYS interesting; Beach House with its history repeating itself theme and a killer who seems to disappear ‘as completely as footprints in the sand’. Others stick in my mind for being utterly bonkers: the aforementioned Dream Date (girl meets too-good-to-be-true aka possessive psycho while she sleeps), along with The Perfume (a fragrance called Venom which unleashes our good girl protagonist’s baaaaad side).
I must also mention the appeal of location in these books. Growing up on a council estate in Essex, this series, set in various parts the USA, was hugely exciting and exotic to me. From the swampy heat of Florida’s Key West in The Hitchhiker to the sun-soaked sands in Beach Party and The Lifeguard, they transported me away to new and thrilling (and murderous) places. In addition, I have always been a little sad when asked to Americanise my own books for US readers, because I learned quite a bit from the ‘Point Horrors’ about US language and culture, for example, ‘bangs’ being what the British call a ‘fringe’.
Crucially, the ‘Point Horrors’ bridged the gap between my childhood and adulthood, which is when many readers are lost. My sisters and Enid Blyton may have made me a reader, but this series kept me reading. Are they great works of literature? Perhaps not, but they sure as heck were entertaining, and exactly what I needed at exactly the right time. A time when I began to explore writing as a possible career path. And if there was one thing Point Horror taught me, it was that if I could suspend my disbelief enough for the likes of a story about a murderous perfume, then perhaps the idea of myself as a future published author wasn’t so crazy after all.
About Michelle Harrison
Michelle Harrison is a former Waterstone’s bookseller and assistant editor for Oxford University Press. She now writes full-time. Originally from Grays in Essex, she has a degree in Illustration and lives in Oxfordshire. Her first novel, THE THIRTEEN TREASURES, won the Waterstone’s Children’s Book Prize and has sold into seventeen other countries as well as the UK.
It is followed by two sequels, THE THIRTEEN CURSES and THE THIRTEEN SECRETS.
Michelle is also the author of UNREST, a ghost story for young adults. She is currently working on a new novel for teen readers.
You can find out more about Michelle on her website – www.michelleharrisonbooks.com
Or why not follow Michelle on twitter – @MHarrison13
Why not join in Point Horror Book Club and the discussion on the 13th of every month?
Don’t forget to use the #pointhorrorbookclub on twitter so I can see your thoughts or tweet me using @chelleytoy
Are the Point Horror books we loved as a teenager still our favourites on the re-read? Are you new to Point Horror? Has our opinion changed? Are they still as good? Do they stand up to modern day YA Horror? Or are the a whole load of cray cray?
For all #PointHorrorBookClub posts old and new click here
A huge huge thank you to Michelle for featuring on Tales and a huge round of applause for such a fab guest post!
*claps hands excitedly*
Do you remember Point Horror? Which was your favourite? Would you like to join in on #pointhorrorbookclub ?
Happy Point Horror-ing!